“They’re gonna show the fucking Driller Killer at the fucking Museum of Modern Art, bro!” That’s one of the first things Abel Ferrara says when you meet him, standing in the lobby of the historical institution, flanked by a publicist and someone from the Italian consulate, surrounded by tour groups …
Read More »'Climax' Review: Sex, Drugs and Gaspar Noe's Dance Party in Hell
It’s “Fame directed by the Marquis de Sade,” it’s “a typically confrontational cocktail of music and horror … dropped on its audience like the bucket of blood from Carrie,” it’s “Step Up meets Enter the Void” — these were a few of the creative descriptions of Gaspar Noe’s dance-dance-devolution epic …
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